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Technique vs. Passion

December 05, 2020 by Ken Wolf in All

There are certain principles and techniques to writing a great play, and if you put these principles and techniques to use, you have a good head start on creating something pretty special.

But the bad news is, if you are not passionate about your story idea, it is just not going to happen.

Having a great story idea that you are passionate about bringing to life is the single most important element in manifesting a great play. Your story idea needs to keep you up at night, be on your mind all day long, and consistently inspire you to sit down and write.

When I wrote my play Mr. Cupcake, I was obsessed with writing it. I actually wrote my first draft - 91 pages in 3 days, over the course of a three day Columbus Day weekend. I was having inner turmoil about my sister, and her less than supportive boyfriend, and I felt helpless to do anything about.

So I decide to write a play.

Boom! Within 30 minutes of deciding to write about this, I came up with an incredible plan for the play. It was about a young woman named Maggie, who was very much like my sister, who was having issues with her boyfriend and with her mother.

At the top of the play, Maggie has a huge fight with her mother who lives in a brownstone on the upper west side of Manhattan, and Maggie runs out of her mother’s apartment and sits on the stairs looking out over 88th street, and cries her heart out.

Suddenly, a very strange elderly homeless man sits at the bottom of the stairs. He is dressed in colorful clothes with a multi-colored cape. He attempts to talk with her, and she is definitely not interested. So after a very long pause, he sings a little song, and Maggie freezes, and then asks him why he is singing that song. He replies:

Homeless man:

“It’s a happy song. And if you sing a happy song, you get happy.”

Maggie:

My father used to sing that song.

Homeless man:

Used to? He has stopped singing it? Why would he do that?

Maggie:

He passed away 20 years ago.

(Long pause.)

Homeless man:

Do you miss him?

Maggie:

Yes, very much. He was my best friend.

And they start to talk, and he introduces himself as Mr. Cupcake, and then he pulls out a Hostess Cupcake, and shows her his “Cupcake Proclamation,” and he performs a little ritual holding the cupcake over his head, circling it as he recites an upbeat prayer, and then he takes the cupcakes and eats it in one bite. It is very funny, and strange too.

Maggie:

My father used to bring cupcakes for the employees at his office on Valentine’s day. He was a big fan of the cupcake.

Mr. Cupcake:

Smart guy. Smart guy.

And as they continue to talk, Maggie gets it in her head that Mr. Cupcake is somehow the spirit or ghost of her deceased father.

And then as the play progresses, through her relationship with this strange homeless man, she heals her relationship with her mother, and she breaks up with her less than supportive boyfriend.

At the end of the play, for the play is bookended with Maggie’s narration, we discover that she is a motivational speaker now, and in performance we handed out Hostess cupcakes to the entire audience, and together with Maggie, the entire audience did the “Cupcake Proclamation” to end the play.

It was great great fun, and this super fun story idea, propelled me to write this play, faster than I had ever written a play before!

Yes, you need to know about playwriting principles but most importantly, you need a great story idea.

So when you build your play, make sure the foundation is your passionate, obsessive story idea, and write like you have never written before!

Listen to Episode 194 of the Playwriting Podcast - I interview actors Dave Silberger & Florence Pape about Play Development, specifically on their work in Mike Zielinski's Comedy "He's Your Daddy!"

 
 
December 05, 2020 /Ken Wolf
plays, Playwriting, technique, Love, Mr Cupcake
All
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Jennifer Pierro & Yours Truly, Ken Wolf in The Match Game Summer 2015

When it Gets Tough, Get Creative!

October 17, 2020 by Ken Wolf

Five years ago, I had a really great CREATIVITY LESSON. Would I want this to happen again? No. But I did learn something absolutely awesome, for I was able to make a little bit of lemonade, out of a very sour lemon.

For our 10th Anniversary Event at Manhattan Rep, we decided (because it is great fun and we like fun) to bring back my crazy fun play about dating, THE MATCH GAME for a very limited run. Jen Pierro, my partner in life and Manhattan Rep and I actually met during a production of this play many years ago so we thought it would be FUN and fitting to bring back THE MATCH GAME to celebrate our Tenth.

Initially, rehearsals went great. It was awesome to step back into this play and participate in the FUN of acting with Jenny again. It was such fun and going so well, and then suddenly, a week before opening, an original member of The Match Game cast (my dear friend Anthony J. Ribustello) had a health issue and had to pull out of the production. We frantically looked for a replacement who was right for this role who could get it together in time but to no avail. It looked like we were going to have to cancel the 10th Anniversary production of THE MATCH GAME.

I hate to give up. I just do. Giving up is not in my nature. If I choose to do something, I will do my crazy best to make it happen, and I fervently believe THE SHOW MUST GO ON.  

So sitting in front of my computer, late one night a week before The Match Game was supposed to open, I made a crazy choice.  

I would rewrite THE MATCH GAME and make it work.  

What? Pull out this Anthony’s character? What?

Yes, and I did just that.

I literally pulled Anthony’s character off stage and made him a much smaller off stage presence with some creative phone calls which would be voiced by pre-recorded sound bytes. Phone calls were already a part of THE MATCH GAME but I figured I could use this phone vehicle to propel the story and still present the true essence of The Match Game and Big Bobby B, the missing now off-stage character.

The cast was concerned and ready to call it quits but I convinced them to give my rewrites a chance. I was determined to make this work.

So that weekend, I recorded the off stage voice of BIG BOBBY B and I put together a rocking crazy fun soundtrack that would power The Match Game through to its crazy fun conclusion.

Spending hours and hours putting this all together, I just barely got it done in time for our Sunday TECH rehearsal. Luckily, we were blessed with one of the best Sound Light technicians in the world, Katherine Cartusciello, who took my 95 sound cues and created theatrical magic. Our tech took only two and a half hours (The show is 90 minutes.) and when we ended, we all knew it was going to work. We had our dress after that, and WOW, a miracle! The play was tighter, more concise, and more streamlined than ever before! And then we opened, and it was such awesome fun!

(BELOW IS VIDEO TRAILER # 1 FOR THE MATCH GAME 2015 LIMITED RUN.)

Choosing to let go of something in this context worked.  

I let go of the old way of telling this story and I found another way which actually worked too. I had one of our resident playwrights attend on opening night and he was struck by the dialogue and the acting work in the show, AND he had no idea we had actually taken a character offstage. No idea! Crazy fun!

Do I want this to happen when I produce my next play? Absolutely not. But I do know that when the going gets tough, CREATIVITY is the answer.

Accept what is. Get creative with it, and then make it work.

Below is a blind date scene between Peggy Sue (Jennifer Pierro) and Ted Fox (Yeah, that’s me.) This is fun.

October 17, 2020 /Ken Wolf
Comedy, The Match Game, Manhat, Fun, Laughter, Love
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